All posts for the month May, 2013

When a friend invited me to participate in an upcoming pulp-inspired “giant monster” anthology, I initially turned him down – something to the tune of “well I don’t… do? giant monsters?” But he asked me to think about it, and I did, and I’m glad. I won’t say too much, as the project is still pulling bits of matter into it’s orbit, but I started with a “what if”, and ended up somewhere I never expected to go:


Mosaic of the Schiaparelli hemisphere of Mars – USGS Astrogeology: Martian Hemesphere Images












I’ve decided I like writing to themes. I like challenging my own habits and tropes, trying out my voice to other people’s songs. The resulting arrangements can be very interesting – like…

pagan gods and terra-forming


‘Sapporo Underground Pedestrian Space Station Road”’ in Sapporo, Hokkaido prefecture, Japan} by 663highland











magic, black-eyed maidens, and destiny –


“the goddess” by Eddi van W.




Mercury Spacesuit – NASA







– on Mars.


Speaking of Mars, and playing outside our comfort zones, here are some interesting Red Planet-related oddities I discovered while writing my story:



942_streamPRINCESS OF MARS – by Chase Toole

Searching for illustrations of Edgar Rice Burroughs’ Mars series, I stumbled across this image by contemporary artist Chase Toole.  I honestly thought at first that it was taken from some 60s pulp cover.  Although the heroine in my story is (mostly) fully dressed, I’m in love with this girl.  Just look at those colors, and contrasts.



Featured recently on NPR, The Mars Society is an organization dedicated to “furthering the exploration and settlement of the Red Planet” through “Public outreach fostering Mars pioneers, worldwide support for government-funded Mars research and exploration, and private-enterprise Mars exploration and settlement.”


I didn’t know there was such a thing – did you?

Want to sign up?

Or, you could just SEND YOUR POETRY TO MARS and touch the cosmos that way.


“haiku” – Monrovia Public Library


A part of the Going to Mars Project, NASA has invited citizens of earth (yes, you!) to write  mars-related haiku.  Three global winners will be recorded on a dvd that’s to be sent with the MAVEN spacecraft into – yeah – outer space.
Everyone who participates will get their name on the dvd, at least.  To find out more, visit Going to Mars with MAVEN.



Want to know more about giant monsters, beautiful (clothed) ladies, and colonies on Mars? WATCH THIS SPACE – there’s more info to come!




I usually have my hand with me when I go places, and sooner or later I’m bound to look at it. So if I need to remember something really important, that’s where I put it. Note to self: Library! Call Mom! Shadow People! (wait, what?)

The dangers of being forgetful AND having an active imagination, though… The other night I looked down at my hand and saw THIS – with no recollection of having put it there, or why.


So I’m like, Proof… of what?

It was funny, for the first few minuets – but the more I tried to remember what it meant, the more I had NO IDEA. 40 Proof? Proof… of aliens? Proof of life??

I mean, where would YOUR mind go?

After about twenty minutes I remembered – oh, right. I needed to get off my ass and respond to the proof of a poem I have in an upcoming magazine issue.

Which is good, because I was beginning to think it got all MEMENTO up in here.

Writerly friends: if you don’t already follow Jessica Bell, you should.

jessica headshot - Copy

An Australian-native fiction author and poet, Jessica Bell also makes a living as an editor and writer for global ELT publishers (English Language Teaching), such as Pearson Education, HarperCollins, Macmillan Education, Education First and Cengage Learning. Her poetry collection, FABRIC, was a semi-finalist in the GOODREADS CHOICE AWARDS 2012 for BEST POETRY. Sellers like offer a selection of her fiction, poetry and non-fiction, including her pocket guide WRITING IN A NUTSHELL series, which offers user-friendly “how to” demonstrations to help writers hone their craft.

Jessica has a warm and witty online presence on social media sites like Facebook and Goodreads. She’s also part of the team that brings us Vine Leaves Literary Journal – a high-quality (and visually stunning – seriously, have a gander) online journal. Taken from the original meaning of the word, “vignette” (“something that may be written on a vine leaf”), Vine Leaves celebrates the kind of short, emotive writing that is too often overlooked in a literary culture fixated on the plot, the plot, the plot. By recognizing that there is also artistry to be found in a moment, a feeling, an array of words – and creating a venue for it – Jessica Bell became a hero of mine. So when she announced that she was launching a virtual tour for her upcoming projects, I happily volunteered.

Adverbs-&-cliches_cover_for Internet

Adverbs & Clichés in a Nutshell: Demonstrated Subversions of Adverbs & Clichés into Gourmet Imagery is the second installment in Bell’s WRITING IN A NUTSHELL series. In this NUTSHELL, Bell tackles those insidious, tricky little linguistic buggers that tend to slip into our writing because they’re familiar, easy, and ready-at-hand. We all do it: unconsciously, habitually, we rely on adverbs to tell (not show!) how something is done. Like a rat on a wheel, we use clichés to get our point across – and thus we keep our writing mediocre, rather than great.

But how, HOW, do we avoid the pitfalls of adverbs and clichés? By subverting them, Jessica says. Identify them, drop them from your repertoire, and replace them with something original. Give details in your prose to show that your character is mad, rather than having her say it angrily. Plumb the treasure trove of your imagination for metaphors to convey his love – don’t rely on his racing heartbeat or the truth welling up from the windows of his soul.

With Adverbs & Clichés in a Nutshell, Bell gives us thirty-four specific examples how to turn adverbs and clichés into vivid and unique imagery. This in itself is unique, so far as I’m aware – tons of writing books and blogs tell you what not to do, but with this guide you can actually see how it can be done – over and over again. Plus, it comes with prompts to practice writing subversions of your own.

Now, I don’t believe adverbs and clichés are always, universally evil. I raise a literary eyebrow when the media buzz tells us what is in, what is out, what defines good writing, and (even more fun) what makes writing bad. (Ten things you should NEVER do! Twelve things every agent HATES! Eleven ways to ensure you’ll never see your work in print EVER!) The pundits say it, it gets circulated and internalized and taken for gospel when, really, what’s good has a lot to do with context. SOMETIMES, clichés work. (They are clichés for a reason, after all). SOMETIMES, adverbs work (saying it quickly can be better than taking up a paragraph with original purple prose to demonstrate how it’s said).

AND, I shall be quick to point out, Jessica Bell says this too, right up front. She gives a very good argument for the whys and why nots of adverb and cliché use in the introduction – the best argument I’ve seen. The danger in my mind is that writers, especially new writers, may accept that these writing rules are (cliché alert) written in stone, and may learn not trust their own instincts, their own voice. But I use the word “danger” loosely – it’s not like writers are going to be blowing things up with adverbs. And there’s nothing wrong with learning the rules well – if nothing else, it may teach you how and when to break them.

The biggest critique I have of Adverbs & Clichés in a Nutshell is that I wish the sample adverbs and clichés (of which there are over a hundred, I believe) were treated individually, rather than clumped together in thirty-four sample passages. Some of the passages are short, but many are quite dense, encompassing twenty or more “problem phrases” in one scenario. This clumping can make it hard to remember which phrases we’re subverting – I had to keep scrolling back and forth to figure out what Bell had changed from the “adverb” and “cliché” examples to the new, original writing. I even thought, in a (very) few cases, that the original “bad” writing was better, if only because the “better” samples tried to encompass so much.

For my purposes, I would have preferred one, maybe two adverbs and/or clichés per example. It would have been cleaner, focusing the reader’s attention on each problem phrase and an example of how to rewrite it, rather than making a dozen or more phrases depend on one another within a scene. It would have made the book longer (hence not a “pocket guide”) but way easier to use.

Still, Bell suggests that the book is meant to be read and then reread, several times over, and I can see how that would help the reader begin to pick out the nuances. And, indeed, that is how a writing book is meant to be used – often, and repeatedly. It is a reference, after all.

And for that, Adverbs & Clichés in a Nutshell is a great resource, and a great buy. At a mere $1.99, I don’t see why any writer wouldn’t want to snatch it up. So go do that.

Here’s how:

Click one of the following links to purchase:
Amazon US | Amazon UK | Amazon Ca | Kobo

For more information about Jessica please visit:
Website| Blog| Twitter | Facebook